Complex Beauty

Complex systems and their underlying convoluted networks are ubiquitous, all we need is an eye for them. They pose problems of organized complexity which cannot be approached with a reductionist method. Complexity science and its emergent sister network science both come to grips with the inherent complexity of complex systems with an holistic strategy. The relevance of complexity, however, transcends the sciences. Complex systems and networks are the focal point of a philosophical, cultural and artistic turn of our tightly interrelated and interdependent postmodern society. Here I take a different, aesthetic perspective on complexity. I argue that complex systems can be beautiful and can the object of artification - the neologism refers to processes in which something that is not regarded as art in the traditional sense of the word is changed into art. Complex systems and networks are powerful sources of inspiration for the generative designer, for the artful data visualizer, as well as for the traditional artist. I finally discuss the benefits of a cross-fertilization between science and art

The skewness of computer science

Computer science is a relatively young discipline combining science, engineering, and mathematics. The main flavors of computer science research involve the theoretical development of conceptual models for the different aspects of computing and the more applicative building of software artifacts and assessment of their properties. In the computer science publication culture, conferences are an important vehicle to quickly move ideas, and journals often publish deeper versions of papers already presented at conferences. These peculiarities of the discipline make computer science an original research field within the sciences, and, therefore, the assessment of classical bibliometric laws is particularly important for this field. In this paper, we study the skewness of the distribution of citations to papers published in computer science publication venues (journals and conferences). We find that the skewness in the distribution of mean citedness of different venues combines with the asymmetry in citedness of articles in each venue, resulting in a highly asymmetric citation distribution with a power law tail. Furthermore, the skewness of conference publications is more pronounced than the asymmetry of journal papers. Finally, the impact of journal papers, as measured with bibliometric indicators, largely dominates that of proceeding papers.Comment: I applied the goodness-of-fit methodology proposed in: A. Clauset, C. R. Shalizi, M. E. J. Newman. Power-law distributions in empirical data. SIAM Review 51, 661-703 (2009

PageRank: Standing on the shoulders of giants

PageRank is a Web page ranking technique that has been a fundamental ingredient in the development and success of the Google search engine. The method is still one of the many signals that Google uses to determine which pages are most important. The main idea behind PageRank is to determine the importance of a Web page in terms of the importance assigned to the pages hyperlinking to it. In fact, this thesis is not new, and has been previously successfully exploited in different contexts. We review the PageRank method and link it to some renowned previous techniques that we have found in the fields of Web information retrieval, bibliometrics, sociometry, and econometrics

A theory on power in networks

The eigenvector centrality equation $\lambda x = A \, x$ is a successful compromise between simplicity and expressivity. It claims that central actors are those connected with central others. For at least 70 years, this equation has been explored in disparate contexts, including econometrics, sociometry, bibliometrics, Web information retrieval, and network science. We propose an equally elegant counterpart: the power equation $x = A x^{\div}$, where $x^{\div}$ is the vector whose entries are the reciprocal of those of $x$. It asserts that power is in the hands of those connected with powerless others. It is meaningful, for instance, in bargaining situations, where it is advantageous to be connected to those who have few options. We tell the parallel, mostly unexplored story of this intriguing equation

HITS hits art

The blockchain art market is partitioned around the roles of artists and collectors and highly concentrated among few prominent figures. We hence propose to adapt Kleinberg's authority/hub HITS method to rate artists and collectors in the art context. This seems a reasonable choice since the original method deftly defines its scores in terms of a mutual recursive relationship between authorities/artists - the miners of information/art, and hubs/collectors - the assemblers of such information/art. We evaluated the proposed method on the collector-artist network of SuperRare gallery, the major crypto art marketplace. We found that the proposed artist and collector metrics are weakly correlated with other network science metrics like degree and strength. This hints the possibility of coupling different measures in order to profile active users of the gallery and suggests investment strategies with different risk/reward ratios for collectors as well as marketing strategies with different targets for artists